"People often ask me where I get my ideas from, sometimes as often as eight-seven times a day. This is a well-known hazard for writers, and the correct response to the question is first to breathe deeply, steady your heartbeat, fill your mind with peaceful, calming images of birdsong and buttercups in spring meadows, and then try to say, “Well, it’s very interesting you ask that…” before breaking down and starting to whimper uncontrollably.
The fact is I don’t know where ideas come from, or even where to look for them. Nor does any writer. This is not quite true, in fact. If you were writing a book on the mating habits of pigs, you’d probably pick up a few goodish ideas by hanging around a barnyard in a plastic mac, but if fiction is your line, then the only real answer is to drink way too much coffee and buy yourself a desk that doesn’t collapse when you beat your head against it.
I exaggerate, of course. That’s my job. There are some specific ideas for which I can remember exactly where they came from. At least, I think I can; I may just be making it up. That also is my job. When I’ve got a big writing job to do, I will often listen to the same piece of music over and over again. Not while I’m doing the actually writing, of course, you need thins to be pretty quiet for that, but while I’m fetching another cup of coffee or making toast or polishing my spectacles or trying to find more toner for the printer or changing my guitar strings or clearing away the coffee cups and toast crumbs from my desk or returning to the bathroom to sit and think for half and hour—in other words, most of the day. The result is that a lot of my ideas come from songs. Well, one or two at least. To be absolutely accurate, there is just one idea that came from a song, but I keep the habit up just in case it works again which it won’t, but never mind.
So now you know how it’s done. Simple, isn’t it?"

— Douglas Adams, in the introduction appended to The Hitchhiker’s Guide to the Galaxy (collected edition) published by DC Comics in 1997, drawn from the collected works in The Salmon of Doubt. Startlingly similar to my own writing process in most if not all respects. (via barretta)